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It’s been a strange couple of years for all of us since I last posted: not just because of COVID, but more importantly, the profoundly destabilizing, disorienting force the pandemic has been in our culture.

What do I have to show for my two-year silence?

Well, without going into all the detail: life-threatening diagnoses, two life-changing surgeries for me and one for my hubby, writing a 120k word fantasy, traumatic estrangement from a beloved family member, finding a literary agent, parting ways from said agent, pulling my books from a dishonest publisher, getting said books ready for indie release, querying agents until I saw Query Tracker in my sleep, selling our house and moving, music lessons, radiation therapy, and diving into a new writing project that I’ve carried in my heart for years, and falling more deeply in love with my wonderful husband as we approach the 20-year mark in our relationship.

Oh, I also have a beautifully redesigned website, thanks to Personalized Marketing, crowned by a powerful photo by Dennis Brown.

The banner about nature and humanity reflects a theme which will somehow underly whatever I write from here on in: nature is bigger, smarter, and more powerful, more …

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Writers Digest

I’m offering a full scholarship to a Writers Digest workshop.

I’ve just signed with a literary agent — again. First time around was pretty disappointing. This time, though, signing with Amy Collins of Talcott Notch Literary, it already feels very much like entering the dynamic, collaborative business relationship it’s supposed to be. We’re taking action, and I’m elated at the the possibilities ahead.

I first made contact with Amy in March through a four-day workshop put on by Writers Digest University, called “First 10 Pages Bootcamp”, where she was one of the instructors.

The workshop, which costs $200 US, seemed to be the next step in my seemingly endless agent querying efforts — after all, if I’d queried dozens and dozens and dozens of agents with my first pages and no one had shown real interest, I had to find out if there was something in those pages that triggered consistent rejection. I figured I should find out from an actual agent what the problem might be. Turns out Amy liked my first pages enough to ask for more after the workshop concluded.

So now I’m celebrating my good fortune by offering a full scholarship to the next …

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While all of us love a good romance, I’ve come to the conclusion that we read them for different reasons. One reason is no better than another, but I’m going to suggest that it’s important for an author to be aware of what basic reason they seek to serve when setting out to write a romance. Through that authorial choice, we extend an invitation to a reader as to how we expect them to enter our story.

I’m not claiming to be encyclopedic about this, (so let’s assume my list is incomplete) but I’ve identified three primary emotional invitations to a romance reader—that is, three distinctly different reasons why a reader might want to read a romance starring two men. I’ll be brief about the first two, because I want to spend more time on the third.

  1. Reader as Stand-in. 

The first is the most obvious—the traditional romance invitation, inherited unchanged from straight romance. This psychological structure invites the reader to enter the story through one of the main characters, and presumes that the other half of the romantic bond or pairing is considered legitimate relationship material, at least in fantasy: the powerful billionaire, the good-hearted veterinarian, the construction contractor, …

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Okay—you have a brand-new book by a new-to-you author, and you’ve been itching to dive into it. Finally you have enough peace and quiet to start. The strong writing draws you into the story world right away. As we expected to, we learn that Brad, the hero, is a good guy. We like him. We’ve learned his dog shelter is in deep financial trouble, and we’ve seen his devoted kindness to the rescue dogs. He hasn’t taken a salary for three months in order to pay his assistant. He’s got unpaid bills, and the mortgage payment is due in two weeks.

Besides that, though, Really Bad Things have happened to Brad. He’s sleeping on the shelter’s reception area couch, because a week ago he came home unexpectedly to find his partner in bed with their hunky neighbor, whereupon the partner announced that he’s moving in with hunky neighbor. Brad can’t afford their apartment on his own, nor can he afford first month’s rent and the deposit on a new one.

But thirty-five pages in, even though we’re rooting for him, a problem quietly pushes itself into the story. Yes, Brad is suffering. He’s in a tough spot. But he’s utterly …

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I’ve been writing winter solstice poems for close to fifty years. Not every year, but this profound solar event seems to present itself to me over and over as a moment to take seriously, in reverence. It’s become my year-end, and the morning after my new year’s day.

I haven’t written a solstice poem for a few years, and with all the discordant forces at work in our world it seemed a good time to ask if there was one this year, to close out a year that has been filled with creativity, growth, pain, loss and disillusionment. This poem pretty much wrote itself in a few hours.

Winter Solstice 2016

Time to strip naked again,
be empty and innocent.
Pile actions, belief, hope, vision
onto the Solstice fire.

Trusting the furnace is hard.

Burning the wreckage
of insufficient dreams is easy,
pieces of broken furniture
not worth mending, discovered
in the wistful dim attic of my soul.
I’ve done it before.

But the other dreams?
If it’s insufficient, it will burn.
Trial by fire.

I risk losing the good dreams,
the ones I might fix up one day and re-upholster,
the dreams beloved people now dead sat in at …

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Happy Holidays! Join me in welcoming my friend and fellow author Ash to my blog today with his newest novella, Heartifact. It sounds like a fascinating story!

heartifact-cover-401x609By the way, net proceeds benefit the The Trevor Project in the US, le Refuge in France, and Arcigay in Italy

Heartifact is available from Men Over the RainbowAmazonAmazon UKAll Romance eBooks, Barnes & NobleSmashwords

 

THE MYTH OF ATLANTIS

A very special thank you to Lloyd for hosting me today. It’s great to be here!

The myth of Atlantis (Greek, Atlas) stems from two Dialogues written by Plato in 360 BC, Timaeus and Critias. The dialogues speak of an island utopian society destroyed by a cataclysm of some sort. It is correct that these Dialogues represent the written record of the myth of Atlantis, but it is incorrect that they are the source of the myth.

Egyptians told the story of Atlantis to Solon, one of the seven sages of ancient Greece, during one of his pilgrimages to Egypt. The Egyptians showed him several records of antiquity speaking to the incomparable power and prestige of the utopian empire which dominated the …

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“US Exceeds all Expectations in Rio” crows a headline here in the US today. Um, maybe not so much.

This is my second Summer Olympics to offer a different way of looking at Olympic glory.

This post is not a commentary or criticism of the training, dedication, sweat, pain, and success of the  individual athletes themselves. Every bit of praise to them, each one, even if their post-competition behavior was reprehensible. Each one earned her/his right to compete in the Olympics through bone-deep commitment, and earned whatever victories they achieved. Good for them!

Instead, this post seeks to serve as antidote to the bombardment of chauvinistic posturing that overlaid the TV coverage. This country seemed to crow about their athletes’ medals as if the country somehow could claim the glory of its athletes. I don’t mind a little ego attachment: the Icelandic soccer team in the Euros created a phenomenon that is very rare, and beautiful. But the jingoistic posturing of the US press was embarrassing to me, and I suspect many other countries had their own tiresome version of it.

Folks, it’s not about how many medals a country “won”. No country won any medals at all. Individual human …

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A week ago I returned from a trip to Argentina. I’d never traveled to South America before, and since it was the only continent (not counting Antarctica) I had yet to visit, I was excited. Even though I know South America has far more to see and experience, Iguazú Falls will remain the highlight of my trip — a profound spiritual experience.

On landing in Buenos Aires we took a shuttle to the other airport and flew directly to Iguazú. In planning the trip we’d learned there was a moonrise trek every full moon to the Devil’s Throat, the most dramatic section of the falls, and we managed to get tickets our party of ten. After a briefing by a park ranger we took a little train to the beginning of the walkway across branches of the river. The moon rose, and after a kilometer or so we came to the lip of the falls. I have no photos, but it was spectacular. We stood dripping and awe-stricken in the jungle night, and I’m glad we did it. But the following morning I realized how little we had actually seen.

IMG_0758Nothing prepared me for the sheer size of the cataract. …

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If you’d like to read the opening chapters, I’ve got Blood and Dirt excerpts sprinkled around the internet, plus a few blog interviews. Here’s a map to get around:

August 21st with Clare London – Interview and first half of Chapter One

August 22nd with Jon Michaelsen – second half of Chapter One

With more to be added! You’ll be able to read at least the first two chapters this way, maybe more.

Next stop, August 28th with Elin Gregory

Blood & Dirt 02 -Ebook FinalIt’s been a long time coming (because it took months longer to finish than I had originally planned), but the digital version of my new Russ Morgan mystery Blood & Dirt is scheduled for release from Wilde City Press on August 19th! The print version will follow within days. I’m happy to say it will include Enigma, the first Russ Morgan story, which was too short to have a print run of its own.

I’m thrilled it will be out in time for UK Meet 2015 in Bristol. Thanks to Wilde City Press, I’ll have print copies there to flog. Um, I mean, sign.

I’m also grateful that readers spoke up about Enigma, which I envisioned as a one-off story, never imagining that Russ might have more stories to tell. Sometimes the author really is the last to know that a story might be the beginning of a series.

I like Russ a lot, too — and only partly because we share the similarities of being a Colorado native with psychic sensitivites and long-term sobriety. So thank you, readers, for saying you wanted more of him!