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Tag Archives: The Companion

Just coming up for air after a wildly eventful two weeks. Not sure what happened astrologically or in some other energies I don’t manage, but it was like a dam broke and washed down my river without doing a stick of damage. Instead, cycles that have been in “pending” mode for months all sprang forward as if the Cosmos had flipped a switch.

Unnerving — and exciting! So here’s the executive summary:

LammyFinalist_Small_Web_v3Wednesday, Mar 4 I learned that my novel The Companion is a finalist in this year’s Lambda Literary Awards. A week later I’m still giddy about it, and probably will be for months to come. For someone who writes gay fiction, this is huge, and would have made a stellar week all on its own. It’s the equivalent of being nominated for an Oscar for us. Bob and I immediately bought tickets to the awards ceremony June 1st in New York.

An hour after receiving the news, I was in a rented a car driving to Orlando for the Dreamspinner Author Retreat. Not sure I needed a car, it felt like I could have floated there on my cloud of euphoria. Come to think of it, I could …

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For years, I had a quote pinned up on the wall of my workspace attributed to congressional historian Daniel J Boorstin: “The greatest obstacle to discovering the shape of the earth, the continents, and the oceans was not ignorance, but rather the illusion of knowledge.”

With Mercury about to station retrograde October 4th, this is the ideal time for me to deliberately relax my grip on certainty, check my reality compass and make some room for discovery.

I’d like to share with you something of my respect for disillusionment – the loss of illusion. Discovery is an essential part of any plot, from clues in a murder mystery, to trust (misplaced, real or withheld) in a romance, geographic exploration in an adventure, or finding inner strength in the Hero’s Journey. While the need for profound discovery is always present in our stories, the context for the discovery is infinitely changeable.

Perhaps the first important variable is the protagonist’s own attitude toward discovery. That could be the beginning of his character arc: he may believe he doesn’t need to change, or that he is self-sufficient. He may believe a situation is hopeless. He may believe he is not worthy of love. …

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Since Friday I’ve had interviews and articles posted on fellow author blogs, part of my effort to get the word out about the release of The Companion.

Thinking that some of those posts might be interesting to you in the meantime, me and my 500-lb gorilla marketing buddy are sharing the links to a few of them.

Raine O’Tierney                       Vastine Bondurant                  Tara Lain

Thanks to Raine, Vastine and Tara for hosting me on their blogs.

It will probably be a while before enough reviews come in to give me a feel for the book’s general reception, but The Companion already has two reviews so far, with others scheduled to appear later in the week. Here’s the first, from Portia de Moncur at MM Good Book Reviews. Thank you, Portia! My gorilla thanks you, too!

Another interesting and very different review is at Sinfully Sexy Book Reviews, where I also do a video reading of a scene from The Companion. Hope you check it out!

 

The CompanionJuly 23, 2014 — release day for The Companion, coming to you today from Dreamspinner Press. You can read the first two chapters here.

Well, I’ve got a great cover, an interesting (I think, anyway!) story, promotional blog posts organized. Hopefully some review sites will pick up the book and say nice things about it, causing millions of eager readers to buy their own copies.

I’d like to say that the project is now out of my hands, but in current-day publishing the burden of ongoing publicity sits in the author’s lap like an eight hundred pound gorilla, and he’s there for the life of the book.

Okay, maybe that’s an exaggeration. More like a friendly five hundred pound gorilla, very into hugs, sharing bananas and checking my hair for lice. For me the gorilla, friendly as he is, takes a lot of attention and energy, even for me just to keep breathing. Five hundred pounds is a lot, and I’m not a big guy.

I know it would be more social of me if I checked him for lice, too, but that’s still beyond what I’m prepared to do for book promotion. Just one step beyond …

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I’m so thrilled with the cover art for The Companion, finalized this week with Paul Richmond of the Dreamspinner art department! Original art by Dan Skinner.

The CompanionThis is the back cover copy:

Shepherd Bucknam hasn’t had a lover in more than a decade, and doesn’t need one. As a Daka, he coaches men in the sacred art and mystery of sexual ecstasy all the time, and he loves his work. It’s his calling. In fact, he’s perfectly content—except for the terrors of his recurring nightmare, and the ominous blood-red birthmarks on his neck. He’s convinced that together they foretell his early and violent death.

When Shepherd’s young protégé is murdered, LAPD Detective Marco Fidanza gets the case. The two men are worlds apart: Marco has fought hard for everything he’s accomplished, in sharp contrast to the apparent ease of Shepherd’s inherited wealth—but their mutual attraction is too hot for either of them to ignore.

Shepherd swears he’ll help find his protégé’s killer but Marco warns him to stay out of it. When an influential politician is implicated, the police investigation grinds to a halt. Shepherd hires his own investigator. Marco calls it dangerous meddling.

As their volatile relationship deepens, …

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Late last week I submitted my latest novel, The Companion, to Toby Johnson at Lethe Press. He’d said earlier this year that he wanted to see the full when it was ready, so off it went. I can attend GayRomLit in Atlanta next week with my desk clear (figuratively speaking only!)

Jim Frey, whose workshops I’ve attended for several years, is adamant about having a clear premise for a novel. I’m a believer. Somehow, having a one-sentence cause and effect statement describing the story keeps me on track while I’m writing. It’s my litmus test as to whether a scene is superfluous or relevant to the story: does it support the premise? If yes, then it belongs. If no, then I need to cut it out.

For The Companion, which is a metaphysical mystery/romance (how’s that for an obscure niche?! It seems to be the one I’m wired to occupy) I settled on “Courage leads to self-understanding and love.”

The story is about Shepherd Bucknam, Shepherd a daka (erotic coach) living in current-day Los Angeles. He’s haunted by recurring nightmares he believes predict his violent death. When his protégé is murdered he becomes involved with Marco Fidanza, the investigating officer. …

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